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Post-Punk

Death RockMusicPost-PunkReviews

Ottawa, Canada’s Blue Cross have incredibly just released their second LP, I Am Death — incredible because many bands nowadays wait years between releases, and this is Blue Cross’s second LP in just over 7 months. The LP is out on Noxious Noize! Records, a small label operating out of

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Avant GardeDeath RockMusicPost-PunkReviews

In a recent interview that Zach of the Spectres did with RØSENKØPF, the dark NYC trio named a diverse array of influences that included Skinny Puppy, Aphex Twin, and the Birthday Party. This makes sense, when one listens to the new 6-song, self-titled LP on Wierd Records, the home of

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Death RockFeaturesMusicPost-PunkTour Dates

It’s hard to believe that Los Angeles, California’s Fangs on Fur have existed almost 6 years to the day, having formed in 2006. The band plays an aggressive, old school type of deathrock with female vocals, recalling early California deathrock groups like Red Scare, the Superheroines, and punk bands like

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CrustDeath RockDis-beatHardcoreMusicPost-Punk

First there was the d-beat crust of Born Dead Icons, whose 2003 Ruins LP is some sort of d-beat/crust masterpiece. Then came the “post-d-beat” punk rock of The Complications, a band on Feral Ward that I interviewed for CVLT Nation, here. Now, from ex-Born Dead Icons and Complications members, comes

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Death RockHardcoreMusicPost-PunkReviews

Arctic Flowers’ Reveries LP (Inimical Records) was easily one of the finest punk records of 2011. With a new EP, “Procession,” coming up in advance of an East Coast tour in August, things are going good for Arctic Flowers. The Portland quartet play a type of gothy peace punk that,

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Death RockMusicPost-Punk

Note: This interview originally appeared at the No Doves Fly Here website. New PDX band Dead Cult have never used the word “deathrock” to describe their sound, preferring instead the term “anarcho darkwave.” Reminiscent at times of Hysteria, Rubella Ballet, or maybe even Skeletal Family, the music — whatever label

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