Connect with us

Hi, what are you looking for?

Featured

Cloud Rat Qliphoth Review

Cloud Rat have a middle finger, locked and loaded, aimed intently at anything within American society that displeases them, which seems to be just about everything. Granted, this world-weariness is handled with care in the form of abrasive passion throughout Qliphoth’s seventeen tracks. Their third full length album, following 2010’s self-titled and 2013’s Moksha, Qliphoth is a true epic, in the most literal sense of the word, especially considering grindcore’s signature, blurring pace. The album’s structure is complimented by wisps of femininity that are abruptly torn apart by the ensnaring instrumentation and social trope-defying messages. The former carries the latter like a war hero recognized not post-combat, but mid-melee, atop the shoulders of her comrades, thrown to the front to lead the bloody charge. There is an undeniable blood lust here, especially on the tongue of vocalist Madison Marshall, whose venom-flecked words edge the razor-sharp riffs and blunt-weapon percussion of her cohorts with purposeful efficiency.

 

Label: React With Protest Records // order here

cloud_rat_rwp_080

 

Qliphoth is a record with an agenda, executing its savagery with immediacy, purpose and unadulterated passion for its subject, which is as thoughtful as any politically-leaning grindcore band can be. The vegan, feminist and humanist subject matter is at times approached with an anguished mysticism, with Qliphoth’s dominant, chaotic bursts punctuated by dream-like expanses like “The Boar’s Snout” and “Thin Vein.” “The Boar’s Snout” is interrupted with an almost story-like quality by “Hermit Interstice,” a track that incorporates the record’s trademarks into one package: grating speed book-ended by a shoegazey stab. Politically, their banners unravel slowly throughout, oftentimes billowing triumphantly in the apocalyptic winds that emanate from the album’s latter half, like on “Bolt Gun,” which marries sonic and corporeal corruption. While grindcore is the high-blood pressure strain that runs through Qliphoth, the pulse quickens to those aforementioned moments of euphoria parsed with black metal convulsions that drive the climactic, desperate tone of the album’s mid to end sections. As a whole piece, the collection’s structure is a howling monument, with opener “Seken” serving as the towering peak, wavering uncertainly atop its agitated foundations. Lower down the totem, the disparate levels that comprise it crumble beneath Marshall’s lyrical existential woe, before toppling over by the time ending track “Chrysalis” breathes its last, ashen gasp.

Qliphoth is among this year’s more esoteric releases, a grindcore album that unabashedly fluffs its rotten bouquet with shoegaze violet and thorny black metal. Conceptually speaking, the term “qliphoth” comes from the Kabbalah, describing impure spirits, driving home the album’s dueling ethereal and achingly real tones. Cloud Rat’s third outing is a collection that dwells and rattles deep in your bones well after it has ended, leaving a last sting that you never want to subside.

Qliphoth is available now from Halo of Flies and can be streamed on their Bandcamp.

 

11109201_828882710526123_4987025229421001532_o

Written By

slowdive followed me on twitter for a week once.

“DREAMLESS"
“Lev
“BMM"
Sentient 51423

You May Also Like

Doom

While the lines between metal and punk blur more heavily by the month, one of the persisting divides between these umbrella genres is that...

Hardcore Punk

Hardcore punk is very dear to our hearts. There’s something about the combination of rage and joy captured in this music that makes us...

Art

Text & Photos by Charles Nickles I left the Super 8 this morning in search of a sensible breakfast. Some scrambled eggs, maybe with nice...

Apocalyptic Blues

There’s something brutal brewing in Texas… If you’re a fan of heavy underground music and you’re in the vicinity of Austin, you need to...

Copyright © 2020 CVLT Nation.