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The Animal People Discovered by the Flying Man

Science fiction says a lot about societal values at the time of its writing. In the latter 20th and 21st centuries, most science fiction sees human beings encountering races of people and aliens who are far advanced of us, beings with whom we must fight or fight off to save our existence. Earlier science fiction seems to take a different tack, one that puts humans at the forefront of technology, discovering a barbarian culture, sometimes on (or in) our own world. I think this can be tied to the European colonial and post-colonial mentalities; we go from an era where we are literally enslaving our fellow man, crushing one culture under the hypocritical weight of another, to one where we are reflecting on the atrocities of the past, and perhaps assuaging our guilt by envisioning the karmic scenario happening on a more universal scale. Southern Discovery by a Flying Man, or The French Dedalus (1781) by Nicolas-Edmé Restif de la Bretonne (1734-1806) was published in the thick of the industrial revolution, but also in pre-revolutionary colonial France, a time when the French were on a centuries-long master campaign of usurping authorities and decimating cultures around the globe. Restif de la Bretonne envisions a land far from Paris – on the exact opposite end of the globe, with the capital Serip – populated by human beings who are more animal than they are human. Not much is known about this book, but from the excerpt and translation I read here, it seems to have been a satire of French colonialism and societal hierarchy. The “Animal People” have laws and value equality; they believe slavery to be wrong and that brotherhood is the most important virtue of a society. Restif de la Bretonne was known as an agitator with his writings, and having published this book only 8 years before the French Revolution, his writings seem to reflect a mindset that was clearly gaining in popularity in France at the time. Like many old works, the illustrations are stunning, and flesh out the story in an eerie and important way. All that is available online is a collection of the illustrations that are now public domain, but the freedom and joy of the Animal People is tangible. Check out the illustrations from Southern Discovery by a Flying Man, or The French Dedalus (1781) below.

Further reading:

http://expositions.bnf.fr/utopie/cabinets/extra/antho/18/15.htm

http://bibliodyssey.blogspot.ca/2007/03/flight-to-antipodes.html

 

Mariage du fils de Victorin avec Ishmichtriss Mythology-French-People-as-animals-Flying-person Mythology-French-People-as-bears-Flying-bear-person Mythology-French-People-as-beavers Mythology-French-People-as-birds Mythology-French-People-as-cows Mythology-French-People-as-dogs- Mythology-French-People-as-donkeys Mythology-French-People-as-elephants Mythology-French-People-as-frogs Mythology-French-People-as-horses Mythology-French-People-as-lions Mythology-French-People-as-pigs Mythology-French-People-as-serpents Mythology-French-People-as-sheep Mythology-French-People-as-strangers Mythology-French-People-flying-and-singing Mythology-French-People-of-the-night Mythology-French-small-people

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Meghan MacRae grew up in Vancouver, Canada, but spent many years living in the remote woods. Living in the shadow of grizzly bears, cougars and the other predators of the wilderness taught her about the dark side of nature, and taught her to accept her place in nature's order as their prey. She is co-founder of CVLT Nation.

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