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Pirates 1
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Pirates are one of those historical subcultures where you just know the truth is going to be a long way from their portrayal in popular culture. The ‘yarr me hearties’ and ‘shiver me timbers’ thing, the parrots on shoulders and buried treasure – nobody makes it to adulthood thinking that

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Yukio Mishima

He was three times nominated for the Nobel Prize for Literature, an accomplished bodybuilder, a trained soldier, an expert swordsman, a model, an actor, a singer. Any one of these achievements is impressive, two or three exceptional, all of them taken together is evidence of near superhuman willpower, an Übermensch

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When the devil comes to town, our precious but stagnant order tolls twelve times until a shocking thirteenth resounds and chaos ensues.  The Devil in the belfry then dances and plays his fiddle amidst the horror of uncertainty, one of mankind’s greatest fears.  Such was the scene in Poe’s nineteenth

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Baphomet 1

The word ‘Baphomet’ appears in the names of twenty-seven metal bands: six are just called Baphomet, then there’s Baphomet’s Blood, Baphomet’s Temple, Baphomet’s Cunt. You read that last one right. The number of bands that have a goat-headed creature on their covers is incalculable. The idea of Satan as being somehow goat-like has persisted, despite it appearing nowhere in the Bible or Apocrypha, where he is described as being a serpent or dragon – when he is described at all.

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While many historians explore the history of nations and kings, in 1974, the French historian Philippe Ariés explored what may be the sole constant in human existence: death. In a series of lectures entitled “Western Attitudes Towards Death” 1, Ariés contends that the perception and reception of death reflects the

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