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Apocalyptic Blues

Escape into the blissed-Out Soundscapes of HIS NAME IS ALIVE

Photo by Davin Brainard

HIS NAME IS ALIVE creates music that makes me feel good to be alive! I find myself getting lost in their waves of blissed-out feedback! Step back in time with me as we explore music from the band’s past on their anthology Hope Is A Candle that comes out on Feb. 12th via Disciples – the pre-order is in effect here!

The third and final volume in a trilogy exploring the teenage tape experimentation of Warren Defever aka His Name Is Alive. The beautiful ambient sketches and backwards loops of the first two volumes are still in evidence, but this collection sees the artist moving slowly towards more recognizable song forms.

Much of the material contained here was duplicated on the infamous demo tape that caught the ear of Ivo Watts-Russell and led to elements being re-worked into Livonia, the first His Name Is Alive album on 4AD. Having circulated in poor quality form as a bootleg for many years, it’s a revelation to hear this music transferred from the original reels and mastered by Defever himself (who is one of the head engineers at Third Man’s mastering studio in Detroit). Some of the sounds here touch on the kind of dream pop which 4AD was known for at the time – the gauzy textures of the Cocteau Twins or This Mortal Coil, and predicts the saturated textures of the incoming shoegaze sound. But there are also echoes of older, more esoteric sources: early minimalist works, 80s industrial records, even the blues, and folk sounds documented by Folkways. The young Defever trying to interpret formative influences using a primitive home recording set-up and stumbling upon their own unique sound as a result of this tentative experimentation. As the artist recounts in the liner notes: “I wanted to do my own Music For 18 Musicians. But I didn’t know 18 musicians; I barely had two friends, and even they couldn’t stand me.”

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