I talked with Wolfbrigade during the Southern Lord Festival in Amsterdam about Run with the Hunted and the future of the band.
Punk has always been an act of rebellion. Since you started playing in 1995, the situation in Europe and the world has changed drastically. Weโve seen the rise of fascist governments, terrorism and the fear of other religions. Does this affect your view as musicians? How so?
ย Not really. It affects our daily lives because we think about it. Sweden is changing politically as well, with the right wing and shit. And you see refugees coming to Sweden and everything changing, but not our music or lyrics. I would say our early records had more of a political view than when we turned into Wolfbrigade in 2000. Now, I think, weโve gotten older. And we are still as angry, but we write with a different angle. The lyrics we write now can actually mean more than one thing. Itโs like when you listen to it, you think about the lyrics in one way and we think about it in another way. Itโs written from a more personal perspective. Everything is about society and the world but we donโt point at it the same way.
How long did it take to release this album? How does a typical Wolfbrigade song come together from beginning to end?
We had few songs from Damned and a few demo ideas. Then we got a new drummer. So, I think it took about half a year to complete this album.
ย Run with the Hunted is the title of a poem by Charles Bukowski. Is that a reference to the American writer?
We read the poem and actually borrowed the title from that. We had it as a concept for a song title for a long time, but then it just fit the album. I think itโs a really nice poem as well. Thereโs actually a reference to it in one of the songs, as well. I wonโt tell you which one, though. Youโll have to find it yourself.
Lyrically what inspires you?
Everything. Especially movies and books, everyday life. We usually write the music first, so then the sound of the song more or less inspires the lyrics. We try to figure out what the rhythm should be like in the song, and we try to find the right-fitting words for the chorus and stuff like that. We usually find a title and a theme. Itโs always some sort of criticism about things that surround us. We just donโt sing about it as angrily anymore or in the same way. We try to do it a bit more like poets. The song is like an instrument for us as well. How it sounds is as important as the other instruments. We start out with the lyrics and then we change shit, because we want it to sound massive. Itโs also cool because, with the last two albums, people interpreted the lyrics so differently. Some might think one song has war lyrics and others think itโs totally something else. People take the lyrics for themselves and it becomes more personal. And thatโs something we really like about it, because itโs very easy to stand and point. You know, at the shit thatโs out there. But letโs try to do something else with it. Weโve heard a lot of different ideas about the song. Thatโs why you donโt want to talk too much about it because if it means something else to themโฆ We want you to feel something from the songs. Thatโs the most important thing. We want it to be a rush of energy.
Wolfbrigade has a tormented history. You changed your name, several members left, you split up in 2004 and then you got back together in 2007. How do you feel now as a band now?
Stronger than ever. With our new drummer, Tommy, a lot of things have changed and we got a fresh start. We havenโt changed that many members for a band that has been around for 22 years. Weโve changed three drummers, one bass player and one singer. For a 22-year-old band, I donโt think thatโs a lot. A lot of people write about us now in that way, about our history. But it hasnโt been that weird, really. Johan came in when we had another project, just when we stopped Wolfbrigade. We started a new project and released an EP. Then we felt like we missed the d-beat stuff. We did two songs live and got the taste for it.
ย Are you planning other releases (like an EP or Split) or are you working on new material?
ย Weโre going to start a few new songs. And weโll see where it ends up.
Since the 80โs, Sweden has a significant history related to d-beat, crust punk, with bands like Anti Cimex, Disfear, Martyrdรถd, Skitsystem and you. Why do you think your country is the cornerstone of this kind of music?
ย Itโs dark and cold. And during the 70โs and 80โs it was quite boring and depressing to live in Sweden, when you look back at it. At that time we didnโt reflect on it because we were young. There was like a strong, left wing community with socialist ideas, similar to what the punks weโre doing. We also had lots of opportunities. You could basically play music for free. The government paid for rehearsal spaces, which made it possible for a band to evolve and keep doing what they did for a long time, because they could afford it. It was possible to be unemployed and survive and play music. The punk scene exploded in Sweden a bit later, in the early 80โs. And we had this kind of left-wing, prog music, but it was boring for teenagers. They needed something new and then punk arrived. The early bands in Sweden just got aggressive. And so did the Finnish bands. They just got faster and noisy. And in Sweden Anti Cimex was one of these bands.
If you could choose an artist or a band (dead or alive) to share the stage with, who would it be and why?
ย We would like to share a stage with Lemmy (Motรถrhead). For a long time, we wanted to do something with Freddie Wadling, the singer of Cortex, but he passed. He was really cool. We talked about it for several years but it never happened. It was supposed to be on the first record, we donโt know why it never happened, really.
Your live sets are always so energetic and powerful. How important is the connection with the audience?
ย Itโs super important, of course. They give us back a lot of energy and if the crowd is still standing there, then we have a big task I guess. Thatโs what a live show is about: the connection with the audience. We donโt go out there and smile; we give an aggressive show. But thatโs our music. A lot of people tell us, โBut youโre so angry.โ Yeah, but we play this kind of music, it would be weird if we did. I canโt even go up and smile on stage because I release a lot of energy, both positive and negative. I get all this shit out of my system. And after a gig, Iโm happy for a week. It helps me to survive I guess.
ย What do you see in the future for Wolfbrigade?
ย Make a new record sometime, and keep on playing music, doing shows, aside from our regular lives. Weโre going to be there for a while. Except for the hiatus of two or three years, weโve been together for 22 years. Weโve played together the entire time. We are as inspired as we have ever been at this moment. Maybe itโs because the world is shit right now. There are so many things that affect you as a person and music is our way to deal with stuff I think. And also a way to run away from all this fucking shit. We go down to the rehearsal studio and itโs just us, a unit. We are Wolfbrigade, and best friends.
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Photos: Marika Z.ย
