One of the best products of the contemporary underground dark punk/postpunk scene, Portland’s Bellicose Minds’ debut LP, The Spine, has been a long time coming. Although it was recorded over a year ago, in June 2012, it has slowly trickled out to the masses via mailorder and smart independent record
The first track of the CD version of Troller‘s self-titled LP is called “Milk”; it’s nightmarishly gothic and genuinely creepy. Horror movie sound effects (or noises that remind me of horror movie sound effects) slash across a dreary landscape of synths and bass guitar, and after a slow build up
by Oliver Sheppard Ottawa, Canada’s goth-punk duo Blue Cross have just delivered their third full-length LP, “Conspiracy,” in under two years – a remarkable feat, considering that many bands nowadays take years to release new material. Originally a side-project of street punk band Germ Attak, Blue Cross’ music explores more
So far, the excellent Dark New York: Gotham City’s Post Punk, Goth, & Deathrock Bands 1983-1988, Vol. 1 compilation is only available on vinyl. Released late last year (2012) on Black Scorpio Records, the record fleshes out an oft-overlooked part of the 80’s American postpunk phenomenon — New York City’s
by Oliver Sheppard 2012 was a great year for deathrock. As I wrote in the notes for the CVLT Nation Deathrock 2012 Part II mixtape, “Most of these new bands come from the DIY punk scene and are reclaiming deathrock’s punk roots. There is a strong element of anarcho/peace punk
Note: This article originally appeared by Oliver Sheppard at Souciant.com, here. Record labels are a funny thing. Just like bands, they can be objects of cultish devotion. Factory, Dischord, 4AD, Rough Trade, and others all have fans who look to a label’s branding as an indication of a band’s style, ethics, and quality.