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Blood, Piss and Dirt…The 1%ers MC Cuts

UC Riverside put on a fascinating exhibition at their ARTSblock facilities last fall, a collection of MC cuts from the 60s and 70s curated by artist and historian Jeff Decker which he called Hell’s Union: Motorcycle Club Cuts as American Folk Art. With this exhibition, Decker argues that his collection of mostly denim cuts are folk art; rather than just representative of a particular subculture, they are part of a long history of culture expressed through clothing. This article by Tyler Stallings details the history of the MC cut and also the historical background of wearing “colors” to denote rank or affiliation, and I highly recommend reading it. Here, I’ve compiled some images of Decker’s collection, and each vest tells its own story in each tear, stain and crease of the fabric. I think that it’s important to note that the battle jackets worn by metal heads and punks also deserve the same classification of folk art. While there are not the same set of enforceable “rules” in metal and punk subcultures as there are in MCs or military organizations, battle jackets and kuttes denote affiliation with certain bands or musical subgenres, and also express a worldview and set of beliefs in the same way that these MC cuts do. Viewing the handiwork of metal heads and punks as art legitimizes these cultures to the outside world as important to our history and to our global culture as a whole, and I would love to see a similar exhibition done of early battle jackets!

Images © Jeff Decker

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Written By

Meghan MacRae grew up in Vancouver, Canada, but spent many years living in the remote woods. Living in the shadow of grizzly bears, cougars and the other predators of the wilderness taught her about the dark side of nature, and taught her to accept her place in nature's order as their prey. She is co-founder of CVLT Nation.

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