Connect with us

Hi, what are you looking for?

Featured

Ausencia Review – Full Stream – Footage

“La Historia Oficial” gusts forth with a triumphant solo billowing from the drummer’s simple volley, but the sound, easily placed with the shaved and booted, is taken from behind. Ausencia’s 2014 demo has made its rounds, powered by its Spanish bite.

It’s a new turn for Oi!’s resurgence, which has gained steam with England’s The Flex and Boston’s Chain Rank. Ausencia is not from Mexico, but Los Angeles. The band is a product of that flourishing scene that gave us Blazing Eye. The three agree with that environment. The release is odd. They play in Tozcos and Rayos X, which conform to a straighter, less street, more d-beat style. Yet, what joins these bands is the lack of English.

 

 

It’s familiar heckling: discontent, war, and death. Yet, the opening “Sombra De Exilio” is provocative, for it engages “two borders,” and one thinks Mexico-United States relations. It doesn’t delve much farther. The lyrics are still preferable to a skin’s embarrassing belief in his immortality (a popular Oi! theme). Ausencia question the supremacy of the English grunt.

The Latin root melds fantastically with the stride and severity. The low-fidelity adds a layer of dust to the mix, the only things to emerge are the vocals and solos. Ausencia curls the word almost at a croon. They play with a tender stomp, recalling Cock Sparrer’s “I Got Your Number.” The classic of early Oi! goads notice to how the genre sprouted so close to the stadium rock of the 1970s a la Thin Lizzy. It’s the younger, dumber sibling lacking in theatrical largesse, retaining grit aspirations.

 

 

Punk is back, and so are the legions of wasteful listens. Ausencia is not that, but only a few minutes of Oi! pleasure spoken unfamiliarly. It evokes a similar feeling of Sheer Mag’s 7’’, which graced us with candied pop shorts. However, Ausencia are of a different background in a dangerously conservative genre. Anyway, with England dawdling in the “First World,” there spawns the need to listen to those less well off, moreover those less white and European. The demo should be a no brainer.

 

Screen_20Shot_202014-06-30_20at_201.18.13_20PM_original

 

 

Written By

Here comes I that never come yit, with my big head and my little wit. New Orleans, Louisiana Contact: colinwulfstanleonard@gmail.com

Click to comment

Leave a Reply

Your email address will not be published.

Relapse 9-19” height=
Sentient 112217

You May Also Like

Noise Rock

Generating their cacophonous sound in their namesake town of Turin, Northern Italy’s The Turin Horse is set to release their new album Unsavory Impurities...

Hardcore Punk

Recently, there has been a rise in conversations about the disappearance of regional accents. Most people seem to speculate that the saturation of social...

PUNK

#10 OHYDA Pan b​ó​g spe​ł​ni wszystkie pragnienia lewak​ó​w .​.​.​i dojdzie do katastrofy! Hell fucking yeah, I’m here to tell y’all the OHYDA album Pan Bóg Spełni Wszystkie...

Cvlture

Sure, at its core punk rock is about freedom, maybe even anarchy – whatever that means to each one of us these days. But...

WP Twitter Auto Publish Powered By : XYZScripts.com