Barghest -“INTO WEEPING FIRMAMENT” Review + Full Stream

Where once black metal only slunk around in the underground as a filthy beast, in the past decade it has become the darling of extreme metal. Countless bands forging new territory into the mists of the unholy have seen success and created many daring masterpieces, some blending black metal’s traditional grit and blaspheming nature with gentler atmospheric tones to capture a whole slew of new fans’ attention. A lot of these bands expound upon the beauty in nature, or lament the wastefulness of humanity (a traditionally black metal theme presented in a non-traditional way) etc. While this approach is well and good and makes for some fantastic and cutting-edge music, sometimes you just want good old-fashioned hatred. Enter Barghest. Barghest is a black metal band in the truest sense of the word, based out of Baton Rouge, Louisiana, and they hate just about everything. At least, they sound like they do, and that’s a very good thing.

Barghest’s newest release, the three song EP Into Weeping Firmament, is a quick foray into the annals of history, with a bit of modern spite. Despite a lineup change since their last scorching release, the Louisianian quartet continues to bring the spite, excelling at the execution of their simple formula. Infectious riffs, pounding drums, snarled vocals, and a lot of burning hate make up the core of this album. From the aesthetics of the artwork, the sound of the band itself and even the track names, this group exudes early low-fi black metal worship. While many bands try and re-capture the early primitive hate that made the bands of yore so beloved, many only succeed in making pieces that are shadows of the original style, but Barghest successfully channels the hate and agony of bands like early Bathory and Burzum while still bringing in new elements of originality to make a truly enjoyable listen.


The opener, ‘Application of Malthusian Principle,’ is the longest song on the EP by a small margin, though the epic nature of the track makes it feel like the centerpiece. The track opens with a short drum solo and then Barghest’s standard method of attack begins, blistering high-energy guitar riffs that are infectious and surprisingly catchy and a fast driving assault from the rhythm section, awash in gritty low-fi glory. At times, the band’s sound borders on punk-esque. ‘Application of Malthusian Principle’ also incorporates aspects of death metal and doom passages with a dreary, but impactful atmosphere giving pause to the molten assault, before rushing back to breakneck pace. Pretty much universally across the board the vocals maintain a vicious black metal snarl, but are offset at times by pained screams and deep death growls. The next track ‘Non-Promethean’ showcases some of the group’s slight but deft variance in a full black/death assault that goes full-speed nearly the entire time, ramming into your ears over and over again like a hammer, building into a grand blistering finale until an abrupt end. The closing track ‘Leper’s Den’ is the shortest offering on the album, but honestly is likely my favorite. It begins with probably the most catchy riff on the whole EP, a riff that rears it’s ugly head throughout the rest of the song, in-between simple yet satisfying and undeniably black metal passages of fury.

This blistering, battering, classic black metal release is available now on Barghest’s bandcamp page for just $3.


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The Author



A music fan of all genres and in all forms (generally the darker and more disturbing the better), Kira is an eclectic musician as well. A blogger, singer/songwriter, and multi-instrumentalist, she has long plundered the darkest depths for the oddest, most disturbing music possible.

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Cory Whitmer

That’s some good black metal.

Valtteri Manala

Barghest is the shit! Lousiana and black metal, what could go wrong.